What? You're resigning
to go to harvest? Why?
we made a mistake, Bailey.
what happened when
we kissed each other--
that was a mistake.
- ok.
so let me make it easy
for both of us.
what, by quitting?
by firing yourself
over something
that we both did?
Bailey...
no! No, I'm not--
I'm not gonna
let you do that.
Lauren, I can't
let you do that.
harvest? Come on.
I happen to know that
you like working here,
and you're good at it,
and I want you
working here.
oh, you want.
so do you.
Lauren...so do you.
I'm tearing this up.
you can't keep me
from resigning, Bailey.
what if I don't
want to be here?
Lauren, wait. We--
I'm attracted to you,
Bailey.
we're--ok,
you're gonna say
we're both attracted
to each other,
but that's the point.
we shouldn't be here
like this.
we shouldn't be walking around
each other every day
worried we're gonna make
another mistake.
that's not gonna happen.
that won't happen.
if we have to come up
with some kind of system
where--where
we work different--
meals or whatever
we have to do.
ok, if I'm around here
too much--
you're around a lot.
ok, well, then, I'll
stay out of your way.
ok? We can put this
behind us, Lauren.
we're--we're grownups.
right?
grownups.
sometimes I think
there's no such thing.
♪ Everybody wants to live ♪
♪ like they wanna live ♪
♪ and everybody
wants to love ♪
♪ like they wanna love ♪
♪ and everybody
wants to be ♪
♪ closer to free... ♪
♪ closer to free ♪
(Typing on computer)
I'm totally psyched you moved
back to the dorm, jule, but...
you wanna tell me what
the hell you're doing?
oh, oh. Really,
really sorry,
but o'Neil said I could
resubmit to Perry marks
if I had a new story
in her box by 7 A.M.
(yawns)
who?
she's this writer who's
coming to visit our class.
what was wrong
with the old one?
derivative, adolescent,
boring--take your pick.
how do you spell
"naively"?
as in Maggie naively thought
she'd get some sleep tonight?
so, you're doing
a totally new one
in, like, 5 hours?
isn't that
kinda ambitious?
no. I had this in a drawer,
you know, for a while.
sorta kept it there.
yeah? What's it about?
hmm, stuff.
you know, moving on,
getting past the bad stuff.
you wanna know the best
night of my life?
when I realized
I can do that--
put ned behind me.
hmm. Will that ever happen?
keep writing, girl.
it will.
Claudia: Charlie, do you
know what time it is?
ok, I just changed Diana,
like, 10 minutes ago.
she's soaked through again,
and I have to get to school.
Charlie...
Owen, come.
we have to--
oh, sorry.
these kids are definitely gonna
end up on Jerry springer.
what are these?
what is this?
here. Let me
take her.
ok, guys, we should--
can you pick me up
after school?
claud, I can pick you up
from school.
and now Charlie's gonna
have to pick up Owen.
is that ok?
hughley's at 4:00, right?
yes. Ok, everybody.
we should--come on.
Charlie and Kirsten
need their privacy.
yes.
come on.
no.
(chuckles)
I'm sorry.
hey, how about
my place tonight?
quiet dinner.
just us.
(banging)
what? What's so funny?
nothing. Nothing.
it's just...
I've never been able
to say that.
quiet dinner
at my place.
(chuckles)
(banging intensifies)
that's too loud to be Owen.
what is that?
(hammering)
excuse me.
renovations. Always a bear
in twenties victorians.
wait a second. There must
be some kind of mistake here.
no mistake.
your contractor's
been informed.
as for that roof--
excuse me.
my contractor?
you are Bailey salinger, right?
this is your house?
"How to say no
when you wanna say yes."
"antibiotics and you."
(whispering) Sarah, can you
remind me why we're here again?
(whispering)
because.
because you're 16.
and?
and you should have
a checkup.
look, I went
to the gynecologist
when I was 16,
and I learned
about birth control,
all that stuff.
ok, Sarah, we have
talked about this.
as far as sex is concerned,
I wanna wait, like you did.
and then, uh, considering
my nonexistent boyfriend
situation,
I really don't think
we have a problem here.
I'm not like other girls.
you know, guys just
don't follow me around
like they do Julia.
Claudia...
look, I saw tons
of high-school guys
all over you
at that party.
and you're growing up.
so you need a grown-up
woman's doctor
and somebody else besides
me and your brothers
to give you advice.
it must be hard
to be a mom.
all those things
you have to remember
to tell your kids.
stuff that's hard
to talk about.
and they don't
wanna listen.
you're welcome.
Ok.
Thanks.
um, ok, so we're low
on co2 for the tap,
and I brought in
some extra soda.
because of that, joy's out sick,
so I gave lanie her tables.
thanks.
ok. So--
great. I got it
covered. Bye.
bye.
Charlie, hey. I been
trying to call you.
I know.
I got your message.
- you did?
- yeah.
ok, because, listen,
I heard about
this morning with
the contractor, ok,
and I just wanna say
before you say anything
I'm sorry, ok?
I'm really sorry.
I was totally,
totally wrong.
great. Thanks.
you've been great about
letting us move back
into the house,
and the last thing
that I wanna do is
make you regret it.
why would I regret it?
it's--it's ok.
no, it's not--
it's not ok.
if we're gonna be living
in the house like this
together,
this kind of thing
can't be happening.
wait a minute. Are we
actually arguing about this?
I'm telling you
to do what you want,
and you're saying no?
we're not arguing, ok?
we're just--
we're just setting
ground rules, ok?
because I wanna find
a way to share this house
that is fair to you.
and to you, too.
ok, that's fair
to everyone.
all right?
all right.
it really
wasn't that long ago
that I was sitting there
wondering what
the visiting writer
was gonna say.
5 years ago
seems like 5 minutes.
to you. To me,
it seems like 5 decades.
you've got a lot
of good stories here.
I liked a lot of them.
Josh. Where's Josh?
"ramparts waving."
lots of good
local color.
(affects accent)
you must be from Boston.
I am, actually.
nice story, Josh.
um, Ariana...
good ear for dialogue.
see? I wrote that
right across the top.
why is it so hard?
'cause it is, isn't it?
writing's hard.
you get a good idea,
and you think,
"hey, that'll make
a great story,"
but then...
there's that
white sheet of paper.
it seems like
the widest ocean
that you have
to swim across,
and then,
when you're done,
and you're finished,
and you read it,
if it doesn't
seem like...Like...
"yet if it does not seem
a moment's thought,
our stitching and unstitching
has been naught."
yeats.
Adam's curse. Right.
but what does it mean?
it means that you can
work for, like, hours
changing a word
and moving a comma,
and when it's done, if it
doesn't seem like nothing,
like easy and natural,
then--
then it's...Phony.
doesn't seem
like anything.
which story's yours?
I'm salinger.
salinger.
ahh, salinger
comma Julia.
uh-huh.
well, I think
the writer...
could have asked
way more of herself,
of her story.
it's fine. It just...
it doesn't face up
to its subject matter.
it lets itself
off easy.
I'm not saying this
very well. Um...
the subject was
kinda personal, so...
so it's scary. I know.
requires taking risks.
not just, like,
writing well,
'cause we can
all write well.
rosalyn cutler.
are you here, rosalyn?
Lauren. Lauren...
wait.
I know we're supposed
to be staying out of
each other's way,
but let's not
be nuts about it.
will ya sit
for 5 minutes
and show me
which end is up on
this account sheet?
ok. It'll only take
5 minutes.
thank you.
ahh...
Sarah: Bailey...
sorry.
- hi.
- hey.
Sarah, this is Lauren,
my new manager.
- hi.
- and, Lauren, this is Sarah.
hi. Is this a bad time?
am I interrupting something?
no, no, not at all.
this...
no, we can--
uh, I'm gonna go.
ok.
Lauren: Ok.
I'll see you tomorrow.
yep.
bye.
nice to meet you.
hey...
hey.
so I just came by
to tell you
that everything's
a little crazy,
and the unpacking is not
exactly under control.
it is. It's gonna be,
but I thought I should cancel,
so I did.
cancel what?
Bailey, the spelunking trip
for my geology class.
maybe it is
a good idea.
not canceling it,
but just putting it
off for now,
with everything
going on right now.
yeah, I figured.
we're not even done with
the move and the house.
right. The house.
so I did the right thing.
yeah, I guess so.
just asking.
Claudia: Ok, yeah.
I will. I'll call you later.
ok, so, listen, Charlie.
you remember Melanie
from Griffin's band, right?
yeah, I guess.
ok, so she and some kids
are going down to this
club tonight,
'cause they hear that
r.e.m. Is gonna be playing.
it's one of those
surprise gigs
that only club people
know about.
ok, sweetheart,
let's get you cleaned up.
so, listen, the band's supposed
to go on, maybe around 8:00,
which probably means 10:00.
and drinking--
absolutely no drinking.
I know that.
and Melanie's practically,
well, she's practically
an adult.
so, for that matter,
so am I.
so, um, I was
just wondering...
claud, it sounds fine.
just be back by 10:00.
you think Bailey
has any intention
of ever cleaning
any of this stuff up?
are you even
listening to me?
I just said that they wouldn't
probably go on until 10:00.
I mean, maybe 11:00.
oh, sorry.
uh, how's midnight
sound, then?
12:00. Wow.
do you mean it?
this is you we're
talking about, right?
last time I checked.
good. 'Cause I don't
worry about you, claud.
should I?
all right.
only a few more boxes.
What the--
"is it good for you?"
I don't believe this.
I turn my back
for 15 seconds,
and Claudia's
collecting condoms
and--and birth control
pamphlets.
oh, Bailey, relax, ok?
so I took Claudia to the doctor.
you did?
yeah. Somebody's gotta
talk to her about that stuff,
and you know what?
if you wanna yell at me,
then go ahead.
'cause I know that I didn't
do anything wrong.
Sarah, I'm sorry.
you're right.
hey...hey, listen...
I'm sorry.
I want you to do me
a favor, ok?
you know that trip--
the cave thing for
your geology class?
I want you to call them
and uncancel it.
don't you think I know
what it's like for you
here?
or how hard I am
to get along with
right now?
and none of it's
your fault, Sarah,
none of it.
ok? So just go
and have fun.
and you'll
be helping me,
if I can think
about you someplace
enjoying yourself.
Ahem.
hi.
it's so easy, isn't it?
huh?
to criticize
someone's work,
someone's hard work,
and then walk away.
oh, boy.
here we go.
you think I took
the easy way out
with that story.
you took the
easy way out, too,
by saying what you said
with no solution.
a solution?
I was trying, you know,
to say something
in that story.
yeah, you said
it was personal--
this is my world, ok,
and maybe it's not
interesting to someone
who's published
or won awards,
but it might be interesting
to someone boring like me.
you're not boring.
you know you're not.
no, but apparently
you think--
what I think is you got
all this attitude,
but you're good.
you're a writer.
sure, I'm a writer.
that's why you
trashed my story.
that's why
you trashed me.
look, I'm not good
up there.
I know.
like when I don't like
someone's work
and I don't wanna
deal with it,
I say something like,
"hey, nice job"
or "good ear
for local color."
something.
but when
I admire a writer,
i--i read their stuff
like I would my own.
I'm tough on it.
that's how I treat
a writer I respect.
ohh.
you still got it on you?
the story.
maybe I should take
another look at it.
oh, do you know how long
it's been, Charlie?
what?
since I've
lived on my own?
since I've had...
an answering machine
with my name on it?
and--and...
food in the fridge
that I like?
a guy on my couch
that...i can have
any time I want?
(both chuckle)
I could get used to that.
who couldn't?
now I feel guilty.
why?
a--I've probably jinxed it,
and b--I'm just
making you jealous.
heh. Jealous?
no way.
I can just
come over here,
and you gotta
pay the rent.
ok, that does it.
your share of the pizza
just doubled.
no way.
gimme your wallet.
give it. Give it to me.
no way. No way.
that pizza
was on you.
ohh.
All right,
do it fast, ladies,
what are you having?
um, I'll take a, uh...
uh...
um...
Melanie.
how's your
whole existence?
hey.
oh.
I didn't see you.
um, so...
what's the deal,
you guys came
here together?
um...
what, did you, like,
invite him here, too?
no, I just, uh, wasn't sure
you'd both show up.
Melanie, you practically
dragged me here.
you know, I bet r.E.M.
isn't even playing here,
probably, right?
i--i had to.
ok? You guys...
you never should have
broken up.
Melanie,
this is really--
ok, wait! Listen...
you dumped him 'cause
he stole that pick, right?
please don't do this.
well, you should know,
he's not the kind of guy
who does that.
in fact, when he
gave it back to his boss,
he bought him one of
Coltrane's sax reeds
to fill out
his collection.
ok, so, what am I
supposed to say?
you know what? I'm just
gonna leave you guys be,
ok?
bye.
♪ sarcastic
silver swirl ♪
Charlie.
♪ the day
that it rained... ♪
Charlie!
hey.
I got some house stuff.
and you know the rule,
I don't do a thing
until we talk.
ok.
ok, first off,
my contractor...
our contractor
checked the electrical,
and do you know how old
this system is?
70 years.
it's depression wiring,
so Manny says
the--the sooner
we replace it,
the more it'll save us,
because the code
constantly changes.
I wonder how much
he's going to charge us
to save us all that money?
uh, well, hey, it's--
I'm not saying
we have to do it.
it's your decision.
ok, what else? I got
another mile to go here.
well, it's just, uh...
Claudia.
I knocked
her knapsack over,
and I found all of these
condoms in there
and--and pamphlets
on birth control
and oral sex.
right. I mean, Sarah took her
to the gynecologist, right?
yeah, she did, but
wh-what I'm saying is
I'm wondering
who's on top
of all this stuff,
because here she is
getting all this
information
from all
these different people,
and I'm just wondering
if, maybe,
somebody should have
a conversation with her.
I don't understand.
well, it's just a--
a policy question.
you know, I'm not...
telling you what
you should do.
it's completely
up to you.
right, like, with the house
and the electrical system
and...
well, wait a second--
you keep saying
that it's all up to me,
but that's not what you mean.
you mean, it's up to me
as long as I make
the right decision.
can i--can I
please start over?
because I'm not
doing this right.
just stop, ok?
just take a look
at what you're doing here.
you bring up all these things
and you call them
policy questions,
but I mean, they're not
really questions,
are they?
listen, if you see
a better way to do
anything around here,
just do it.
just don't pretend that
that's not what you're doing.
ok?
Perry:
no, I see what you did.
I read the changes.
I still don't buy it.
but why not?
what does that mean?
this is based on
something that happened
that I knew about.
ok, but I don't care.
her boyfriend's
hitting her.
I told you,
I don't care.
it's not the story.
the story is why
she stays with him
as long as she does.
it's hard to answer,
right?
that's why it's
the part to write about,
because you don't know.
no, I do know why
she stayed. I do.
it was because i--
it's ok.
go ahead.
it was because I...
kept taking
all of his intensity
and all that
attention for love.
mistake. Hmm?
yeah, it was.
I know. It hurts...
but don't be afraid
to feel it.
ok.
(Telephone ringing)
oh, Charlie,
I need your key.
the phone's ringing.
Kirsten,
wait a second.
there's
ice cream in here.
you want it to melt?
I don't want
to hear the message.
it's probably for Bailey.
just let him get it later.
I don't want to see
the dishes in the sink.
I don't want to look at
the bills on the counter.
I just want to sit here
with you and Diana.
machine: Hi, we can't come
to the phone right now,
but leave a message and
we'll call you back. Thanks.
I just want
to hear the...
michaelson's
sprinkler system.
(laughs)
they've got a valve
that needs replacing.
you hear that?
uh-huh.
but not by me.
no.
(laughs)
Julia: So, did you
sleep with him?
who?
2 A.M. Barry.
the guy who read Whitman
into your machine.
did the poetry work?
Whitman wasn't
enough to get me
into Barry's bed.
hmm.
he had a roommate,
though.
ooh, a love triangle.
man, is there, like,
anything that
you don't ask about?
come on,
Perry, tell me.
I told you mine.
so, what happened?
no, thanks.
we had a fight, I guess.
I thought we were over,
but then I found a note
that he slipped
into my backpack.
said to meet him
up on west rock.
we used to go there
and have sex.
and that's when
I found him.
and it was good Friday,
and he'd left you
another note
about heaven and sacrifice
and how much he loved you.
I guess
you read my story, huh?
I cried for a week.
wow...
so, all that
really happened, huh?
let's not talk about it.
but, Perry, you wrote it.
it's all there in your book.
you're funny.
I'm---
you just are.
you want everything
out in the open.
well, that's...What you do.
in your writing,
you go so deep,
you bring everything out.
in my writing. Exactly.
look, I've got to go,
ok?
book signing later, right?
Hmm.
listen, salinger,
I'm sorry about
that thing with Cody.
it's just--i mean,
I can tell from
the way he talks
that he's really into you.
oh, yeah, right.
Melanie, please.
he's just so great,
that's all.
I mean, he's got every tune
in his beautiful head from--
from, like, Elvis to Mozart.
ok, Melanie, could you
just lay off about Cody?
I mean,
you think he's so great,
why don't you just
date him yourself.
I already did, remember?
and now he's into
somebody else...
and I guess you are,
too.
I'm what?
oh, no. Nuh-uh.
no, I'm not.
we played in
a band together, claud.
I saw where
your eyes were going.
I mean, every time
you cooked on some solo,
you did it
for one person only.
Griffin.
you're--
you're wrong. No.
it's ok. We all had
a crush on him,
but he's, like,
fantasy land,
you know?
I mean,
you know that, right?
yeah, I know that.
so, Cody's for real.
and I just--
I can't help thinking...
I mean, unless fantasy land
is actually where
you want to live.
Charlie?
Charlie, you here?
Wow, this is pretty cool.
hey.
listen, I'm kind of
busy right now.
I know. It's just
we talked about having
coffee after the signing.
I thought I'd come by early,
maybe get my copy signed.
oh, yeah, listen, um...
I'm not going to be able
to do the coffee.
I, um,
I made some other plans.
oh.
ok, well, we'll just
find another time then
to get together.
um, can we just say I'll
see you when I see you?
woman:
miss marks?
hi. Thanks for coming.
thank you.
and what's your name?
my name's Marcie.
- Marcie. Ok.
- i-e.
Ok, guys,
good job cleaning up
and we'll see you tomorrow.
see you tomorrow,
Mr. salinger.
so...what,
we have a few
minor disagreements
and you pack a suitcase?
what's going on, Charlie?
you taking a trip?
no, it's, uh...
it's a little more
than that.
it's more than that?
what? What's going on?
what are you--
are you leaving?
are you leaving
the house?
yeah.
I can't believe this.
I can't believe
you're doing this.
ok, listen to me. Ok?
I won't say another word,
not one word.
you can make every decision
in the house, ok?
Bailey, it has nothing
to do with decisions.
is it still Owen?
no.
well, then,
what is it, Charlie?
because I brought up
a couple of things
that I thought
we should work on
because I wanted to help.
I was trying to help.
I know that, Bailey.
I know that!
that's what you do.
it's who you are.
you've always been
that way.
well, so, what is that
supposed to mean?
ever since
we've been on our own,
from the day
that they were gone,
that day...
you remember who took
all the phone calls
from the funeral home?
who sat up the whole
night with Claudia?
it's--it's in
your nature, Bailey.
it's how
you've always been,
and it's how
you should be.
what about you though,
Charlie?
because you're the one who's
been in charge the whole time.
only, I never
wanted that, Bailey.
it was something
that I had to do,
and I did it,
and I'm glad
that I did it.
but you,
you actually asked,
again and again.
Charlie, can I have
the restaurant?
Charlie,
can I have Owen?
ok--
what about this--
what about this
house stuff?
can i--
can I take that, too?
yeah, but I never meant
for you to leave.
so, please, just
tell me what I did--
you don't understand.
this is not about you
taking something
from me, ok?
this is about you
giving me something.
bay, I've been
dreaming about this
for 5 years, man.
not about
leaving you guys behind,
but about
having my own...
my own life...
and...i think
I see that, Bailey...
a life on my own.
on your own?
(Thunders)
Claudia, has--
has Sarah called here?
no.
you sure
she hasn't called?
haven't heard from her.
is everything ok?
I gave her a cell phone,
you'd think she'd call.
recording: The cellular customer
you are trying to reach is
unavailable.
- There you go.
- thank you.
uh, excuse me.
hi. I--i was here for
the book signing earlier,
and I left my copy
of Perry marks' book.
actually, I left it with her.
I'm kind of a friend.
I was wondering if you had
any more copies.
I'd like to get one.
aisle 9, new section.
lesbian,
feminist writers.
lesbian...writers?
guess you're not
a close friend, are you?
Bailey.
aren't you supposed
to be at the restaurant?
what are you--
look, I'm sorry.
I was--i was just--
I was driving around,
and I was trying to...
think, and--
come on in.
you're soaking wet.
take your jacket off.
I'll get you a towel.
It's really coming down
out there.
are you all right?
well, to tell you
the truth, no.
no, I'm not.
um...
here.
look, Lauren, I know
I shouldn't be here.
ok? I know that.
it's just...
you're the only one.
you're the only person
who--who gets this.
who knows
what this is like.
knows what?
what it's like to...
want to control
everything...
in your life and to wrap
yourself around so much.
do you know--
you know what I mean?
I do.
ok, I know.
I know you do.
this is why
I needed you.
wait, wait.
Lauren, wait.
I'm sorry, I can't--
I can't do that.
then why did you
come here, Bailey?
because...
because I thought
that you would--
you would understand.
it's too much.
I'm trying to do
too much. Even this--
even what
we're doing here.
I'm taking
more and more on
until it's more than
I can handle...
and--and then...
I'm pushing
everything away.
everything.
even the people that
I care about the most...
and I can't do that.
wow.
I'm taking the job
at harvest.
my stuff will be out of
the restaurant tomorrow.
Lauren--
what, are you gonna try
to talk me out of it again?
no, I'm not.
I'm...i'm
really sorry.
so am I.
You could come with me now,
and then you could
change your mind later...
whatever feels right.
no.
I want to decide.
don't do it now
if you're not ready.
I don't think
I want to go.
I want to stay.
Ok.
Charlie...
this house...
these creaking walls...
leaks...
my whole life
has happened here.
my whole life!
this is home.
I guess I'm just...
now where you are yet,
you know?
I'm not grown up enough
to move on.
oh, I don't know
about that, claud.
sometimes, lately,
I'll turn around,
and I'll see you
come through a door...
you look
so much like her...
all grown up.
I wish she was here
to see you,
'cause I know
how proud she'd be.
mom would be proud
of you, too, Charlie.
I don't know,
but if I am...
if I am that grown up...
it's because of you.
I am so happy
for you, Charlie.
you deserve this.
Sarah.
hey.
you're home.
ohh.
hi.
Bailey, it's 3 A.M.
take off your clothes
and go to sleep.
no, I waited up
to welcome you home.
I missed you.
Bailey, I was only gone
for, like, a day.
I know, but I still
missed you so much.
really? I didn't even
think you'd notice.
you've been so distracted.
I know, and--
and that's gonna change.
that has to change.
'cause...
how do I say this?
what?
you--
you know about Charlie?
Claudia said he's moving.
yeah, he's...Moved.
he's gone.
wow.
he's lived in this house
his whole live, Sarah.
he's run this house
since my parents
were gone.
he's run our family.
and I don't know
that I ever really
knew that until now.
and there's so much
in my life now...
so much that I have to
take care of...
and I have asked
for all of it,
so I'm not sorry.
as long as you know
one thing:
none of it matters
more to me than you do.
none of it.
because
I will never take
someone that I love
for granted again...
ever.
do you hear me?
do you know what
I'm saying?
yeah, I think so.
good.
Perry: If you guys think about
the concept of writing,
and what it is that
you're really writing about,
it's gonna be there.
ok, we'll see you guys.
thank you.
thanks.
oh, this looks like
a good one.
bye. Thanks.
so, one minute
we're friends,
and the next minute
we're not?
is it because I'm just
a college student?
or...or is it maybe
because you decided
I'm a crappy writer,
after all? Or...
or is it the gay thing?
in which case,
hello, Perry, it's
the nineties. Who cares?
Julia--
I mean, you're
telling me stories
about the boyfriends
you've had.
look, i--i have had
boyfriends, ok?
i--i did have--
ok, but then--
then why not tell me
the whole truth?
I mean, you let me come
to my own conclusion.
you let me think that
we were understanding
each other,
that we knew each other,
when, really,
I had no idea.
that story was true.
what's also true
is that I am gay now.
it's not something
that I tell people
when I first meet them.
look, you know, Julia,
i--i told you,
I'm not like you.
you talk about stuff.
you let everything in.
you let everything out.
I don't know. Maybe
you're braver than I am.
maybe...
maybe you just don't know
what it's like to be me.
well, how can I
if you don't tell me?
I mean,
if we were friends,
you'd tell me.
or maybe that's
what you're saying.
maybe you're saying that
we can't be friends.
no, I guess
what I'm saying is...
we already are.
listen, uh, I'm gonna start
looking for an apartment
tomorrow,
but, uh, Diana and I will
just crash here tonight,
if that's ok.
um...
Charlie, it's--
it's fine.
I mean, you don't
have to do that.
you don't have to
start looking right away.
oh, yes, I do.
I mean...
you told me before
how great it is to have
your own place, so...
well, yeah,
that's right. It is.
(laughs)
well, good.
then you should have that.
yeah, but I'm just--
I'm saying that...
you don't have
to do that now.
you can stay for awhile.
that's fine.
So, I heard r.E.M. Might
be playing here tonight.
it's a long shot, but...
you never know.
yeah, sometimes...
people surprise you.
yeah, I guess, yeah.
So, won't your
brothers freak...
that you're here?
it's pretty late.
I came here
'cause I wanted to, Cody.
and Melanie said
that...you might be here.
I'm just saying,
forget my brothers.
I'm here to be
with you.
oh.
ladies and gentlemen,
r.e.m.
(cheering)
♪ I've found a way
to make you ♪
♪ I've found a way ♪
♪ a way to make you smile ♪
♪ I read bad poetry ♪
♪ into your machine ♪
♪ I save your messages ♪
♪ just to hear your voice ♪
♪ you always listen
carefully ♪
♪ to awkward rhymes ♪
♪ you always
say your name ♪
♪ like I wouldn't know it ♪
♪ you at
your most beautiful ♪
♪ do do do do-do ♪
♪ do ooh ooh-ooh ♪
♪ I've found a way
to make you ♪
♪ I've found a way ♪
♪ a way to make you smile ♪